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Across five albums she has grown as a person and as a songwriter, each record uncovers a new part of her world for us to explore. She spent her early days in the same scene as artists like Adele, The Mystery Jets and Jamie T, spent a short while as a member of the band Noah & The Whale and briefly had Mumford and Sons as her backing band.

Fascinating as her story is, it all falls away when Marling starts to sing. Her music is so captivating that it feels like nothing else matters when she plays. Around that time it was me, The Mystery Jets, Adele and, most importantly to me, a guy called Jamie T. Laura Marling on her early days in London's underage scene 'When I was 16 years of age I began playing at a football club bar for these underage nights.

I used to get the train up with my friends from Reading and end up in a place called Brentford. 'Around that time it was me, The Mystery Jets, Adele and, most importantly to me, a guy called Jamie T. He very kindly took a very shy, awkward, young Laura off on tour with him, which resulted in me being signed to his label. I'm still very grateful to him. 'He really did help me understand what I should be doing and he encouraged me to wait – he let me know that I had the power to wait if I wanted to, nobody could tell me what to do and that's something I hold very dear still.' 2007 Marling joined her friends' band Noah and the Whale and started making what will become her first solo record.

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'The first thing that really took off for me musically was Noah and the Whale. 'I joined their band when I was 17 and Charlie [Fink], the lead singer, ended up producing my first record.

We made our records at exactly the same time in the same studio which, now that I look back at it, was a very unusual experience. 'I was touring a lot with them. We used to tour in a Ford KA, with a drum kit and three guitars, it was all so exciting. That's when I left school and decide that I was gonna be alright.' 2008 Marling released her debut album Alas, I Cannot Swim in February.

It was a critical and commercial success, selling over 100,000 copies and landing her in the UK top 50. She ended her relationship with Fink, left Noah and the Whale and tirelessly toured in support of the album. This saw her playing in the US, Europe the UK and Australia, including festivals like Glastonbury, Electric Picnic and Splendour in the Grass. In Australia, the single 'Ghosts' resonated strongly with the triple j audience, who went on to vote it in at number 43 in the Hottest 100 of that year. Despite all of this success, Marling wasn't completely convinced that she was on the right path. There was still an element of doubt in her mind 'When you're a teenager and you haven't gone through the normal, formulaic rites of passage, there is no defining moment where you suddenly feel like you're an adult or that you're doing a job or doing what you're supposed to be doing.